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Alexander von Humboldt: „Nocturnal Life of Animals. – A Night on the Apure“, in: ders., Sämtliche Schriften digital, herausgegeben von Oliver Lubrich und Thomas Nehrlich, Universität Bern 2021. URL: <https://humboldt.unibe.ch/text/1849-Das_naechtliche_Leben-10-neu> [abgerufen am 19.04.2024].

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Titel Nocturnal Life of Animals. – A Night on the Apure
Jahr 1850
Ort London
Nachweis
in: The Standard 7998 (1. April 1850), [o. S.].
Sprache Englisch
Typografischer Befund Antiqua; Spaltensatz; Auszeichnung: Kursivierung.
Identifikation
Textnummer Druckausgabe: VI.118
Dateiname: 1849-Das_naechtliche_Leben-10-neu
Statistiken
Seitenanzahl: 1
Zeichenanzahl: 3332

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|Seitenumbruch|

Nocturnal Life of Animals.—A Night on theApure.

—Below the mission of Santa Barbara de Arichunawe passed the night as usual, in the open air, on a sandy flat,on the banks of the Apure, skirted by the impenetrableforest. We had some difficulty in finding dry wood to kindlethe fires with which it is here customary to surround thebivouac, as a safeguard against the attacks of the jaguar.The air was bland and soft, and the moon shone brightly.Several crocodiles approached the bank, and I have observedthat fire attracts these creatures as it does our crabs andmany other aquatic animals. The oars of our boats werefixed upright in the ground to support our hammocks.Deep stillness prevailed, only broken at intervals bythe blowing of the fresh-water dolphins. After eleveno’clock, such a noise began in the contiguous forest, thatfor the remainder of the night all sleep was impossible. Thewild cries of animals rung through the woods. Among themany voices which resounded together the Indians could onlyrecognise those which, after short pauses, were heard singly.There was the monotonous plaintive cry of the aluates (howlingmonkeys), the whining, flute-like notes of the small sapajous,the grunting murmur of the striped nocturnal ape(Nyctipithe-cus trivirgatus, which I was the first to describe), the fitfulroar of the great tiger, the cuguar or maneless Americanlion, the peccary, the sloth, and a host of parrots, perraquas(Ortalides), and other pheasant-like birds. Whenever thetigers approached the edge of the forest, our dog, who beforehad barked incessantly, came howling to seek protectionunder the hammocks. Sometimes the cry of the tiger re-sounded from the branches of a tree, and was then alwaysaccompanied by the plaintiff piping tones of the apes, whowere endeavouring to escape from the unwonted pursuit.If one asks the Indians why such a continuous noise isheard on certain nights, they answer, with a smile, that “theanimals are rejoicing in the beautiful moonlight, and cele-brating the return of the full moon.” To me, the scene ap-peared rather to be owing to an accidental, long-continued, and gradually increasing conflict amongthe animals. Thus, for instance, the jaguar will pursuethe peccaries and the tapirs, which, densely crowdedtogether, burst through the barrier of tree-like shrubswhich opposes their flight. Terrified at the confusion,the monkeys on the tops of the trees join their crieswith those of the larger animals. This arouses the tribes ofbirds who build their nests in communities, and suddenly thewhole animal world is in a state of commotion. Furtherexperience taught us that it was by no means always thefestival of moonlight that disturbed the stillness of the forest,for we observed that the voices were loudest during violentstorms of rain, or when the thunder echoed and the light-ning flashed through the depths of the woods. The good-natured Franciscan monk who (notwithstanding the feverfrom which he had been suffering for many months) accom-panied us through the cataracts of Atures and Maypures toSan Carlos, on the Rio Negro, and to the Brazilian coast,used to say, when apprehensive of a storm at night, “MayHeaven grant a quiet night both to us and to the wild beastsof the forest!”—Humboldt’s Views of Nature.